time, it is a river that moves as fast as you do.
slow down, slow down, don’t move too fast— for oh, how this life will pass.
time, it is a river that moves as fast as you do.
slow down, slow down, don’t move too fast— for oh, how this life will pass.
you’ve no idea
what is waiting
to pour through you,
pour from you,
if you’d just get out of the way.
you’ve no idea the river—
demolish that dam,
it is your mind.
demolish that dam,
it is your fear.
demolish,
pour.
sit with your sorrow:
it can’t hurt you.
you can.
sit with your fear:
it won’t hurt you.
you can.
sit with yourself.
turn your back?
you’ll stab it.
sit with yourself.
the most basic form of respect:
bearing witness.
sit.
there was a look in your eyes
somehow… dead,
yet more alive
than i thought possible.
it looked like
you stared each of your fears
straight in the eye–
then, snakeskin:
they were shed.
it looked like
all that died
were the bits of you
that kept you from living.
i pray
you’ll keep me around,
if only to teach me how.
Sober living: it is about learning all the secret ways that exist to get drunk that they don’t tell you about. Love letters with a sweetheart: there is no greater wine. Breaths timed with the sea’s lazy waves: what intoxication. Dancing without a care, not a drop of alcohol in the veins: it’s a form of nakedness, nothing more liberating. Spirits, spirits, spirits: they are everywhere.
you mustn’t ever love
something without claws,
you mustn’t ever love
what cannot bite.
a hand that feeds
should be ready
to bleed.
there’s no such thing
as love
that draws no blood.
only shut mouths
do not bite —
only in silence
are edges smoothed.
honesty: it is serrated.
love too.
there is no other way.
you branded the inside of my heart
can’t shake the feeling
that anyone I let in
sees you there.
your initials scarred,
emblazoned
on my chest.
you softened my heart,
then shaped the clay
with your hands.
into the crucible:
our flame scorched me into ceramic.
then,
you dropped me.
still am i here,
bloodied knees,
picking up the scattered pieces
of myself.
i wear you:
lesions on the brain,
burns on the heart,
scars on my knees.
i wear you.
lips like razors
tease my neck:
my head tilts back.
from the moment
my eyes first met yours,
i knew i’d bleed for you.
your eyes
pierced me plenty,
stripped bare
in your gaze.
but you hide
behind the drawn curtains
of your soul’s windows.
unreadable.
unreachable.
how unfair.
the promiscuous psyche:
laid bare
for anyone who’d look.
there’s a certain freedom
in saying “to hell with modesty,
to hell
with emotional chastity.”
i don’t think life is exhausting,
i think lying is.
these two things have become
ink splotches,
their vines bleeding into one another,
their tendrils tangled.
our prudish hearts—
their binding.
you alone
hold the shears
you alone
will cut that ribbon.
your ribs,
cell bars—
are we not all born
with caged hearts?
freedom:
a decision.
the crab crawls
from its shell.
exposed.
but there is no sweeter taste
than the kiss of saltwater
on your back.
your pain grows wings,
it evaporates with the water
into the blazing sun:
angels to the heavens.
you’re made clean.
you don’t
write poetry:
you go and soak yourself in the elements,
and then let them write through you.
you don’t
write poetry:
you go and soak yourself up
in as much love and hatred
in as much medicine and poison
as possible
and then bleed them onto paper.
you don’t write poetry,
you don’t move souls,
you don’t inspire,
you don’t make
anyone
feel.
you first
are moved;
you first
are inspired;
you first
feel
with all that you are;
and then,
you lay yourself
bare
on paper.
you don’t write poetry.